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ART EDUCATION2!
Project type
Painting
Date
2024
Location
Benghazi, Libya
This project examines the disconnection between art and state institutions, the separation of art from society, and the growing distance between artists and their own creative practices.
If you are a child, there are two possibilities: you may be fortunate—or unfortunate—enough to encounter art and have the opportunity to learn and engage with it, or you may be fortunate—or unfortunate—not to have that opportunity at all.
Let us assume you belong to the first group. Through art, you begin to discover a part of the artistic world and perhaps a part of yourself. Yet, at some stage in life, you are likely to lose access to this knowledge or find yourself confined within an increasingly eroded space of artistic freedom. One reason is the lack of platforms capable of presenting artistic work as it was originally envisioned. As a result, artists often alter their ideas to fit the limitations, expectations, and policies of available institutions and exhibition spaces.
Another factor is the unconscious adherence to unwritten rules. Fear of public judgment and social pressures frequently lead artists to impose self-censorship on their work in anticipation of potential reactions. Over time, artistic expression becomes aligned with prevailing social norms and imposed systems of thought. In this process, artistic freedom gradually deteriorates, restricting creativity and limiting society’s capacity to engage meaningfully with art.
Ultimately, the artist returns to the reality that there is no guarantee that the discovery of their artistic identity will find resonance, continuity, or a sustainable place within the cultural landscape.







